More distinctive are the Veronica Lake wave in her hair and the pillow-strewn, pizazz-crimson setĪn MGM idea of a royal bedchamber in folkloric Persia. As is common in these contexts, she parts her lips just wide enough to accommodate a delicate bonbon. 2” sets the tone by appearing in a robe and bra of a shade I’d call sultry vermilion. The catalogs of the mid-’90s strove to class themselves up by leaning on Ye Olde Respectability, offering “pyjamas” and such.īy contrast, the cover girl of “Christmas Dreams & Fantasies 2009, Vol. Needs and pleasures are fulfilled.” A cottage in the Cotswolds, apparently. Gave its fan base the more satisfying “A Pornographic Feminity? Telling and Selling Victoria’s (Dirty) Secrets” where Jane Juffer supposed that “the catalogs appeal to working, independent women who return to the home but cannot be fixed there, and who desire a home where Workman ventured that a Miracle Bra is the modern equivalent of a corset, enclosing women “in rigid positions of cultural enslavement.” If you know the first thing about second-wave feminism, then you know the hammer drill. Near as I can tell, our most recent critical guides to this fantasyland appeared in academic journals in the fall of 1996. Including a dubious breed of panties called the “one-size-fits-all thong”Īvailable in holiday pink, sparkle pink, dazzle pink, cozy pink, cosmo pink, pink tulip, pink punch, pink sapphire, purple pizazz, raspberry, sour cherry, berrylicious, red chili, cilantro, and even blue. It advertises bedroom get-ups and underthings , airing tonight on CBS, let us turn our attention to a document titled “Christmas Dreams & Fantasies 2009, Vol.
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